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on dreams-第2章

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exercise of sense…perception takes place; since sense…perception; as



realized in actual perceiving; is a mode of qualitative change。 This



explains why the affection continues in the sensory organs; both in



their deeper and in their more superficial parts; not merely while



they are actually engaged in perceiving; but even after they have



ceased to do so。 That they do this; indeed; is obvious in cases



where we continue for some time engaged in a particular form of



perception; for then; when we shift the scene of our perceptive



activity; the previous affection remains; for instance; when we have



turned our gaze from sunlight into darkness。 For the result of this is



that one sees nothing; owing to the excited by the light still



subsisting in our eyes。 Also; when we have looked steadily for a



long while at one colour; e。g。 at white or green; that to which we



next transfer our gaze appears to be of the same colour。 Again if;



after having looked at the sun or some other brilliant object; we



close the eyes; then; if we watch carefully; it appears in a right



line with the direction of vision (whatever this may be); at first



in its own colour; then it changes to crimson; next to purple; until



it becomes black and disappears。 And also when persons turn away



from looking at objects in motion; e。g。 rivers; and especially those



which flow very rapidly; they find that the visual stimulations



still present themselves; for the things really at rest are then



seen moving: persons become very deaf after hearing loud noises; and



after smelling very strong odours their power of smelling is impaired;



and similarly in other cases。 These phenomena manifestly take place in



the way above described。



  That the sensory organs are acutely sensitive to even a slight



qualitative difference 'in their objects' is shown by what happens



in the case of mirrors; a subject to which; even taking it



independently; one might devote close consideration and inquiry。 At



the same time it becomes plain from them that as the eye 'in seeing'



is affected 'by the object seen'; so also it produces a certain effect



upon it。 If a woman chances during her menstrual period to look into a



highly polished mirror; the surface of it will grow cloudy with a



blood…coloured haze。 It is very hard to remove this stain from a new



mirror; but easier to remove from an older mirror。 As we have said



before; the cause of this lies in the fact that in the act of sight



there occurs not only a passion in the sense organ acted on by the



polished surface; but the organ; as an agent; also produces an action;



as is proper to a brilliant object。 For sight is the property of an



organ possessing brilliance and colour。 The eyes; therefore; have



their proper action as have other parts of the body。 Because it is



natural to the eye to be filled with blood…vessels; a woman's eyes;



during the period of menstrual flux and inflammation; will undergo a



change; although her husband will not note this since his seed is of



the same nature as that of his wife。 The surrounding atmosphere;



through which operates the action of sight; and which surrounds the



mirror also; will undergo a change of the same sort that occurred



shortly before in the woman's eyes; and hence the surface of the



mirror is likewise affected。 And as in the case of a garment; the



cleaner it is the more quickly it is soiled; so the same holds true in



the case of the mirror。 For anything that is clean will show quite



clearly a stain that it chances to receive; and the cleanest object



shows up even the slightest stain。 A bronze mirror; because of its



shininess; is especially sensitive to any sort of contact (the



movement of the surrounding air acts upon it like a rubbing or



pressing or wiping); on that account; therefore; what is clean will



show up clearly the slightest touch on its surface。 It is hard to



cleanse smudges off new mirrors because the stain penetrates deeply



and is suffused to all parts; it penetrates deeply because the



mirror is not a dense medium; and is suffused widely because of the



smoothness of the object。 On the other hand; in the case of old



mirrors; stains do not remain because they do not penetrate deeply;



but only smudge the surface。



  From this therefore it is plain that stimulatory motion is set up



even by slight differences; and that sense…perception is quick to



respond to it; and further that the organ which perceives colour is



not only affected by its object; but also reacts upon it。 Further



evidence to the same point is afforded by what takes place in wines;



and in the manufacture of unguents。 For both oil; when prepared; and



wine become rapidly infected by the odours of the things near them;



they not only acquire the odours of the things thrown into or mixed



with them; but also those of the things which are placed; or which



grow; near the vessels containing them。



  In order to answer our original question; let us now; therefore;



assume one proposition; which is clear from what precedes; viz。 that



even when the external object of perception has departed; the



impressions it has made persist; and are themselves objects of



perception: and 'let us assume'; besides; that we are easily



deceived respecting the operations of sense…perception when we are



excited by emotions; and different persons according to their



different emotions; for example; the coward when excited by fear;



the amorous person by amorous desire; so that; with but little



resemblance to go upon; the former thinks he sees his foes



approaching; the latter; that he sees the object of his desire; and



the more deeply one is under the influence of the emotion; the less



similarity is required to give rise to these illusory impressions。



Thus too; both in fits of anger; and also in all states of appetite;



all men become easily deceived; and more so the more their emotions



are excited。 This is the reason too why persons in the delirium of



fever sometimes think they see animals on their chamber walls; an



illusion arising from the faint resemblance to animals of the markings



thereon when put together in patterns; and this sometimes



corresponds with the emotional states of the sufferers; in such a



way that; if the latter be not very ill; they know well enough that it



is an illusion; but if the illness is more severe they actually move



according to the appearances。 The cause of these occurrences is that



the faculty in virtue of which the controlling sense judges is not



identical with that in virtue of which presentations come before the



mind。 A proof of this is; that the sun presents itself as only a



foot in diameter; though often something else gainsays the



presentation。 Again; when the fingers are crossed; the one object



'placed between them' is felt 'by the touch' as two; bu
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