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the civilization of the renaissance in italy-第97章

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o turn to the damnation of the man  who should break it。 It is clear; however; that such a ceremony rather  represents the despairing mood of the mediators than offers any real  guarantee of peace; inasmuch as the truest reconciliation is just that  one which has least need of it。

This personal need of vengeance felt by the cultivated and highly  placed Italian; resting on the solid basis of an analogous popular  custom; naturally displays itself under a thousand different aspects;  and receives the unqualified approval of public opinion; as reflected  in the works of the novelists。 All are at one on the point that; in the  case of those injuries and insults for which Italian justice offered no  redress; and all the more in the case of those against which no human  law can ever adequately provide; each man is free to take the law into  his own hands。 Only there must be art in the vengeance; and the  satisfaction must be compounded of the material injury and moral  humiliation of the offender。 A mere brutal; clumsy triumph of force was  held by public opinion to be no satisfaction。 The whole man with his  sense of fame and of scorn; not only his fist; must be victorious。

The Italian of that time shrank; it is true; from no dissimulation in  order to attain his ends; but was wholly free from hypocrisy in matters  of principle。 In these he attempted to deceive neither himself nor  others。 Accordingly; revenge was declared with perfect frankness to be  a necessity of human nature。 Cool…headed people declared that it was  then most worthy of praise when it was disengaged from passion; and  worked simply from motives of expedience; 'in order that other men may  learn to leave us unharmed。' Yet such instances must have formed only a  small minority in comparison with those in which passion sought an  outlet。 This sort of revenge differs clearly from the avenging of  blood; which has already been spoken of; while the latter keeps more or  less within the limits of retaliationthe 'ius talionis' the former  necessarily goes much further; not only requiring the sanction of the  sense of justice; but craving admiration; and even striving to get the  laugh on its own side。

Here lies the reason why men were willing to wait so long for their  revenge。 A 'bella vendetta' demanded as a rule a combination of  circumstances for which it was necessary to wait patiently。 The gradual  ripening of such opportunities is described by the novelists with  heartfelt delight。

There is no need to discuss the morality of actions in which plaintiff  and judge are one and the same person。 If this Italian thirst for  vengeance is to be palliated at all; it must be by proving the  existence of a corresponding national virtue; namely gratitude。 The  same force of imagination which retains and magnifies wrong once  suffered; might be expected also to keep alive the memory of kindness  received。 It is not possible; however; to prove this with regard to the  nation as a whole; though traces of it may be seen in the Italian  character of today。 The gratitude shown by the inferior classes for  kind treatment; and the good memory of the upper for politeness in  social life; are instances of this。

This connexion between the imagination and the moral qualities of the  Italian repeats itself continually。 If; nevertheless; we find more cold  calculation in cases where the Northerner rather follows his impulses;  the reason is that individual development in Italy was not only more  marked and earlier in point of time; but also far more frequent。 Where  this is the case in other countries; the results are also analogous。 We  find; for example; that the early emancipation of the young from  domestic and paternal authority is common to North America with Italy。  Later on; in the more generous natures; a tie of freer affection grows  up between parents and children。

It is; in fact; a matter of extreme difficulty to judge fairly of other  nations in the sphere of character and feeling。 In these respects a  people may be developed highly; and yet in a manner so strange that a  foreigner is utterly unable to understand it。 Perhaps all the nations  of the West are in this point equally favored。

But where the imagination has exercised the most powerful and despotic  influence on morals is in the illicit intercourse of the two sexes。 It  is well known that prostitution was freely practiced in the Middle  Ages; before the appearance of syphilis。 A discussion; however; on  these questions does not belong to our present work。 What seems  characteristic of Italy at this time; is that here marriage and its  rights were more often and more deliberately trampled underfoot than  anywhere else。 The girls of the higher classes were carefully secluded;  and of them we do not speak。 All passion was directed to the married  women。

Under these circumstances it is remarkable that; so far as we know;  there was no diminution in the number of marriages; and that family  life by no means underwent that disorganization which a similar state  of things would have produced in the North。 Men wished to live as they  pleased; but by no means to renounce the family; even when they were  not sure that it was all their own。 Nor did the race sink; either  physically or mentally; on this account; for that apparent intellectual  decline which showed itself towards the middle of the sixteenth century  may be certainly accounted for by political and ecclesiastical causes;  even if we are not to assume that the circle of achievements possible  to the Renaissance had been completed。 Notwithstanding their  profligacy; the Italians continued to be; physically and mentally; one  of the healthiest and best…born populations in Europe; and have  retained this position; with improved morals; down to our own time。

When we come to look more closely at the ethics of love at the time of  the Renaissance; we are struck by a remarkable Contrast。 The novelists  and comic poets give us to understand that love consists only in  sensual enjoyment; and that to win this; all means; tragic or comic;  are not only permitted; but are interesting in proportion to their  audacity and unscrupulousness。 But if we turn to the best of the lyric  poets and writers of dialogues; we find in them a deep and spiritual  passion of the noblest kind; whose last and highest expression is a  revival of the ancient belief in an original unity of souls in the  Divine Being。 And both modes of feeling were then genuine; and could  co…exist in the same individual。 It is not exactly a matter of glory;  but it is a fact; that; in the cultivated man of modern times; this  sentiment can be not merely unconsciously present in both its highest  and lowest stages; but may also manifest itself openly; and even  artistically。 The modern man; like the man of antiquity; is in this  respect too a microcosm; which the medieval man was not and could not  be。

To begin with the morality of the novelists。 They treat chiefly; as we  have said; of married women; and consequently of adultery。

The opinion mentioned above of the equality of the two sexes is of  great importance in relation to this subject。 The highly developed and  cultivated woman di
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