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the civilization of the renaissance in italy-第66章

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ign animals。' The  menagerie at Naples; in the time of Ferrante; contained even a giraffe  and a zebra; presented; it seems; by the ruler of Baghdad。 Filippo  Maria Visconti possessed not only horses which cost him each 500 or  1;000 pieces of gold; and valuable English dogs; but a number of  leopards brought from all parts of the East; the expense of his hunting  birds; which were collected from the countries of Northern Europe;  amounted to 3;000 pieces of gold a month。 King Emanuel the Great of  Portugal knew well what he was about when he presented Leo X with an  elephant and a rhinoceros。 It was under such circumstances that the  foundations of a scientific zoology and botany were laid。

A practical fruit of these zoological studies was the establishment of  studs; of which the Mantuan; under Francesco Gonzaga; was esteemed the  first in Europe。 All interest in; and knowledge of the different breeds  of horses is as old; no doubt; as riding itself; and the crossing of  the European with the Asiatic must have been common from the time of  the Crusades。 In Italy; a special inducement to perfect the breed was  offered by the prizes at the horse…races held in every considerable  town in the peninsula。 In the Mantuan stables were found the in…  fallible winners in these contests; as well as the best military  chargers; and the horses best suited by their stately appearance for  presents to great people。 Gonzaga kept stallions and mares from Spain;  Ireland; Africa; Thrace; and Cilicia; and for the sake of the last he  cultivated the friendship of the Sultans。 All possible experiments were  here tried; in order to produce the most perfect animals。

Even human menageries were not wanting。 The famous Cardinal Ippolito  Medici; bastard of Giuliano; Duke of Nemours; kept at his strange court  a troop of barbarians who talked no less than twenty different  languages; and who were all of them perfect specimens of their races。  Among them were incomparable _voltigeurs _of the best blood of the  North African Moors; Tartar bowmen; Negro wrestlers; Indian divers; and  Turks; who generally accompanied the Cardinal on his hunting  expeditions。 When he was overtaken by an early death (1535); this  motley band carried the corpse on their shoulders from Itri to Rome;  and mingled with the general mourning for the open…handed Cardinal  their medley of tongues and violent gesticulations。

These scattered notices of the relations of the Italians to natural  science; and their interest in the wealth and variety of the products  of nature; are only fragments of a great subject。 No one is more  conscious than the author of the defects in his knowledge on this  point。 Of the multitude of special works in which the subject is  adequately treated; even the names are but imperfectly known to him。

Discovery of the Beauty of Landscape

But outside the sphere of scientific investigation; there is another  way to draw near to nature。 The Italians are the first among modern  peoples by whom the outward world was seen and felt as something  beautiful。

The power to do so is always the result of a long and complicated  development; and its origin is not easily detected; since a dim feeling  of this kind may exist long before it shows itself in poetry and  painting and thereby becomes conscious of itself。 Among the ancients;  for example; art and poetry had gone through the whole circle of human  interests; before they turned to the representation of nature; and even  then the latter filled always a limited and subordinate place。 And yet;  from the time of Homer downwards; the powerful impression made by  nature upon man is shown by countless verses and chance expressions。  The Germanic races; which founded their States on the ruins of the  Roman Empire; were thoroughly and specially fitted to understand the  spirit of natural scenery; and though Christianity compelled them for a  while to see in the springs and mountains; in the lakes and woods;  which they had till then revered; the working of evil demons; yet this  transitional conception was soon outgrown。 By the year 1200; at the  height of the Middle Ages; a genuine; hearty enjoyment of the external  world was again in existence; and found lively expres… sion in the  minstrelsy of different nations; which gives evidence of the sympathy  felt with all the simple phenomena of nature spring with its flowers;  the green fields and the woods。 But these pictures are all foreground  without perspective。 Even the crusaders; who travelled so far and saw  so much; are not recognizable as such in their poems。 The epic poetry;  which describes amour and costumes so fully; does not attempt more than  a sketch of outward nature; and even the great Wolfram von Eschenbach  scarcely anywhere gives us an adequate picture of the scene on which  his heroes move。 From these poems it would never be guessed that their  noble authors in all countries inhabited or visited lofty castles;  commanding distant prospects。 Even in the Latin poems of the wandering  clerks; we find no traces of a distant viewof landscape properly so  called but what lies near is sometimes described with a glory and  splendor which none of the knightly minstrels can surpass。 What picture  of the Grove of Love can equal that of the Italian poet  for such we  take him to beof the twelfth century?

'Immortalis fieret Ibi manens homo; Arbor ibi quaelibet Suo gaudet  pomo; Viae myrrha; cinnamo Fragrant; et amomo Conjectari poterat  Dominus ex domo' etc。

To the Italian mind; at all events; nature had by this time lost its  taint of sin; and had shaken off all trace of demoniacal powers。 Saint  Francis of Assisi; in his Hymn to the Sun; frankly praises the Lord for  creating the heavenly bodies and the four elements。

But the unmistakable proofs of a deepening effect of nature on the  human spirit begin with Dante。 Not only does he awaken in us by a few  vigorous lines the sense of the morning air and the trembling light on  the distant ocean; or of the grandeur of the storm…beaten forest; but  he makes the ascent of lofty peaks; with the only possible object of  enjoying the viewthe first man; perhaps; since the days of antiquity  who did so。 In Boccaccio we can do little more than infer how country  scenery affected him; yet his pastoral romances show his imagination to  have been filled with it。 But the significance of nature for a  receptive spirit is fully and clearly displayed by Petrarchone of the  first truly modern men。 That clear soulwho first collected from the  literature of all countries evidence of the origin and progress of the  sense of natural beauty; and himself; in his 'Aspects of Nature;'  achieved the noblest masterpiece of descriptionAlexander von Humboldt  has not done full justice to Petrarch; and following in the steps of  the great reaper; we may still hope to glean a few ears of interest and  value。

Petrarch was not only a distinguished geographerthe first map of  Italy is said to have been drawn by his directionand not only a  reproducer of the sayings of the ancients; but felt himself the  influence of natural beauty。 The enjoyment of nature is; for him; the  favorite accompaniment of intellectual pursuits; it wa
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