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the civilization of the renaissance in italy-第117章

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o open Virgil at hazard; and take the passage hit upon as an omen  ('Sorted Virgilianae')。 Nor can the belief in daemons current in the  later period of antiquity have been without influence on the  Renaissance。 The work of Iamblichus or Abarnmon on the Mysteries of the  Egyptians; which may have contributed to this result; was printed in a  Latin translation at the end of the fifteenth century。 The Platonic  Academy at Florence was not free from these and other neoplatonic  delusions of the Roman decadence。 A 'few words must here be given to  the belief in demons and to the magic which was connected with this  belief。

The popular faith in what is called the spirit…world was nearly the  same in Italy as elsewhere in Europe。 In Italy as elsewhere there were  ghosts; that is; reappearances of deceased persons; and if the view  taken of them differed in any respect from that which prevailed in the  North; the difference betrayed itself only in the ancient name 'ombra。'  Even nowadays if such a shade presents itself; a couple of Masses are  said for its repose。 That the spirits of bad men appear in a dreadful  shape; is a matter of course; but along with this we find the notion  that the ghosts of the departed are universally malicious。 The dead;  says the priest in a novel of Bandello; kill the little children。 It  seems as if a certain shade was here thought of as separate from the  soul; since the latter suffers in Purgatory; and when it appears; does  nothing but wail and pray。 At other times what appears is not the ghost  of a man; but of an event … …of a past condition of things。 So the  neighbors explained the diabolical appearances in the old palace of the  Visconti near San Giovanni in Conca; at Milan; since here it was that  Bernab  Visconti had caused countless victims of his tyranny to be  tortured and strangled; and no wonder if there were strange things to  be seen。 One evening a swarm of poor people with candles in their hands  appeared to a dishonest guardian of the poor at Perugia; and danced  round about him; a great figure spoke in threatening tones on their  behalf; it was St。 Alo; the patron saint of the poorhouse。 These modes  of belief were so much a matter of course that the poets could make use  of them as something which every reader would understand。 The  appearance of the slain Lodovico Pico under the walls of the besieged  Mirandola is finely represented by Castiglione。 It is true that poetry  made the freest use of these conceptions when the poet himself had  outgrown them。

Italy; too; shared the belief in demons with the other nations of the  Middle Ages。 Men were convinced that God sometimes allowed bad spirits  of every class to exercise a destructive influence on parts of the  world and of human life。 The only reservation made was that the man to  whom the Evil One came as tempter; could use his free will to resist。  In Italy the demonic influence; especially as shown in natural events;  easily assumed a character of poetical greatness。 In the night before  the great inundation of the Val d'Arno in 1333; a pious hermit above  Vallombrosa heard a diabolical tumult in his cell; crossed himself;  stepped to the door; and saw a crowd of black and terrible knights  gallop by in amour。 When conjured to stand; one of them said: 'We go to  drown the city of Florence on account of its sins; if God will let us。'  With this; the nearly contemporary vision at Venice (1340) may be  compared; out of which a great master of the Venetian school; probably  Giorgione; made the marvelous picture of a galley full of daemons;  which speeds with the swiftness of a bird over the stormy lagoon to  destroy the sinful island…city; till the three saintS; who have stepped  unobserved into a poor boatman's skiff; exorcised the fiends and sent  them and their vessel to the bottom of the waters。 

To this belief the illusion was now added that by means of magical arts  it was possible to enter into relations with the evil ones; and use  their help to further the purposes of greed; ambition; and sensuality。  Many persons were probably accused of doing so before the time when it  was actually attempted by many; but when the so…called magicians and  witches began to be burned; the deliberate practice of the black art  became more frequent。 With the smoke of the fires in which the  suspected victims were sacrificed; were spread the narcotic fumes by  which numbers of ruined characters were drugged into magic; and with  them many calculating impostors became associated。

The primitive and popular form in which the superstition had probably  lived on uninterruptedly from the time of the Romans; was the art of  the witch_(strege)。_The witch; so long as she limited herself to mere  divination; might be innocent enough。 were it not that the transition  from prophecy to active help could easily; though often imperceptibly;  be a fatal downward step。 She was credited in such a case not only with  the power of exciting love or hatred between man and woman; but also  with purely destructive and malignant arts; and was especially charged  with the sickness of little children; even when the malady obviously  came from the neglect and stupidity of the parents。 It is still  questionable how far she was supposed to act by mere magical ceremonies  and formula; or by a conscious alliance with the fiends; apart from the  poisons and drugs which she administered with a full knowledge of their  effect。

The more innocent form of the superstition; in which the mendicant  friar could venture to appear as the competitor of the witch; is shown  in the case of the witch of Gaeta whom we read of in Pontano。 His  traveller Suppatius reaches her dwelling while she is giving audience  to a girl and a servingmaid; who come to her with a black hen; nine  eggs laid on a Friday; a duck; and some white thread; for it is the  third day since the new moon。 They are then sent away; and bidden to  come again at twilight。 It is to be hoped that nothing worse than  divination is intended。 The mistress of the servant…maid is pregnant by  a monk; the girl's lover has proved untrue and has gone into a  monastery。 The witch complains: 'Since my husband's death I support  myself in this way; and should make a good thing of it; since the  Gaetan women have plenty of faith; were it not that the monks balk me  of my gains by explaining dreams; appeasing the anger of the saints for  money; promising husbands to the girls; men…children to the pregnant  women; offspring to the barren; and besides all this visiting the women  at night when their husbands are away fishing; in accordance with the  assignations made in daytime at church。' Suppatius warns her against  the envy of the monastery; but she has no fear; since the guardian of  it is an old acquaintance of hers。

But the superstition further gave rise to a worse sort of witches;  namely those who deprived men of their health and life。 In these cases  the mischief; when not sufficiently accounted for by the evil eye and  the like; was naturally attributed to the aid of powerful spirits。 The  punishment; as we have seen in the case of Finicella; was the stake;  and yet a compromise with fanaticism was sometimes practi
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