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a personal record-第29章

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And often romantic! 。 。 。  The matter in hand; however; is to



keep these reminiscences from turning into confessions; a form of



literary activity discredited by Jean Jacques Rousseau on account



of the extreme thoroughness he brought to the work of justifying



his own existence; for that such was his purpose is palpably;



even grossly; visible to an unprejudiced eye。  But then; you see;



the man was not a writer of fiction。  He was an artless moralist;



as is clearly demonstrated by his anniversaries being celebrated



with marked emphasis by the heirs of the French Revolution; which



was not a political movement at all; but a great outburst of



morality。  He had no imagination; as the most casual perusal of



〃Emile〃 will prove。  He was no novelist; whose first virtue is



the exact understanding of the limits traced by the reality of



his time to the play of his invention。  Inspiration comes from



the earth; which has a past; a history; a future; not from the



cold and immutable heaven。  A writer of imaginative prose (even



more than any other sort of artist) stands confessed in his



works。  His conscience; his deeper sense of things; lawful and



unlawful; gives him his attitude before the world。  Indeed;



everyone who puts pen to paper for the reading of strangers



(unless a moralist; who; generally speaking; has no conscience



except the one he is at pains to produce for the use of others)



can speak of nothing else。  It is M。 Anatole France; the most



eloquent and just of French prose…writers; who says that we must



recognize at last that; 〃failing the resolution to hold our



peace; we can only talk of ourselves。〃







This remark; if I remember rightly; was made in the course of a



sparring match with the late Ferdinand Brunetiere over the



principles and rules of literary criticism。  As was fitting for a



man to whom we owe the memorable saying; 〃The good critic is he



who relates the adventures of his soul among masterpieces;〃 M。



Anatole France maintained that there were no rules and no



principles。  And that may be very true。  Rules; principles; and



standards die and vanish every day。  Perhaps they are all dead



and vanished by this time。  These; if ever; are the brave; free



days of destroyed landmarks; while the ingenious minds are busy



inventing the forms of the new beacons which; it is consoling to



think; will be set up presently in the old places。  But what is



interesting to a writer is the possession of an inward certitude



that literary criticism will never die; for man (so variously



defined) is; before everything else; a critical animal。  And as



long as distinguished minds are ready to treat it in the spirit



of high adventure literary criticism shall appeal to us with all



the charm and wisdom of a well…told tale of personal experience。







For Englishmen especially; of all the races of the earth; a task;



any task; undertaken in an adventurous spirit acquires the merit



of romance。  But the critics as a rule exhibit but little of an



adventurous spirit。  They take risks; of courseone can hardly



live with out that。  The daily bread is served out to us (however



sparingly) with a pinch of salt。  Otherwise one would get sick of



the diet one prays for; and that would be not only improper; but



impious。  From impiety of that or any other kindsave us!  An



ideal of reserved manner; adhered to from a sense of proprieties;



from shyness; perhaps; or caution; or simply from weariness;



induces; I suspect; some writers of criticism to conceal the



adventurous side of their calling; and then the criticism becomes



a mere 〃notice;〃 as it were; the relation of a journey where



nothing but the distances and the geology of a new country should



be set down; the glimpses of strange beasts; the dangers of flood



and field; the hairbreadth escapes; and the sufferings (oh; the



sufferings; too!  I have no doubt of the sufferings) of the



traveller being carefully kept out; no shady spot; no fruitful



plant being ever mentioned either; so that the whole performance



looks like a mere feat of agility on the part of a trained pen



running in a desert。  A cruel spectaclea most deplorable



adventure!  〃Life;〃 in the words of an immortal thinker of; I



should say; bucolic origin; but whose perishable name is lost to



the worship of posterity〃life is not all beer and skittles。〃 



Neither is the writing of novels。  It isn't; really。  Je vous



donne ma parole d'honneur that itisnot。  Not ALL。  I am thus



emphatic because some years ago; I remember; the daughter of a



general。 。 。 。







Sudden revelations of the profane world must have come now and



then to hermits in their cells; to the cloistered monks of middle



ages; to lonely sages; men of science; reformers; the revelations



of the world's superficial judgment; shocking to the souls



concentrated upon their own bitter labour in the cause of



sanctity; or of knowledge; or of temperance; let us say; or of



art; if only the art of cracking jokes or playing the flute。  And



thus this general's daughter came to meor I should say one of



the general's daughters did。  There were three of these bachelor



ladies; of nicely graduated ages; who held a neighbouring



farm…house in a united and more or less military occupation。  The



eldest warred against the decay of manners in the village



children; and executed frontal attacks upon the village mothers



for the conquest of courtesies。  It sounds futile; but it was



really a war for an idea。  The second skirmished and scouted all



over the country; and it was that one who pushed a reconnaissance



right to my very tableI mean the one who wore stand…up collars。







She was really calling upon my wife in the soft spirit of



afternoon friendliness; but with her usual martial determination。



She marched into my room swinging her stick 。 。 。 but noI



mustn't exaggerate。  It is not my specialty。  I am not a



humoristic writer。  In all soberness; then; all I am certain of



is that she had a stick to swing。







No ditch or wall encompassed my abode。  The window was open; the



door; too; stood open to that best friend of my work; the warm;



still sunshine of the wide fields。  They lay around me infinitely



helpful; but; truth to say; I had not known for weeks whether the



sun shone upon the earth and whether the stars above still moved



on their appointed courses。  I was just then giving up some days



of my allotted span to the last chapters of the novel 〃Nostromo;〃



a tale of an imaginary (but true) seaboard; which is still



mentioned now and again; and indeed kindly; sometimes in



connection with t
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